We are memory 2024

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Each edition of ‘We Are Memory’ by Memory of Nations Theatre in Prague showcases diverse art genres, from drama via dance to fine art. This year’s performance is a collaboration with students from Charles University’s Department of Art Education, blending visual installations, video art, acting, and dance.

The venue, Fair Trade Palace (Headquarters National Gallery in Prague), holds poignant historical significance as a Nazi assembly point for victims before deportations to concentration camps. Students encountered powerful stories of individuals whose life experiences offer insights into dark chapters of history. Some of them have integrated visual arts into their professional lives, such as academic painter Helga Hošková-Weissová (1929) and graphic designer Jana Dubová (1926). This duo is complemented by a doctor of natural sciences Michaela Vidláková (1936), Czech historian Toman Brod (1929) and the renowned dance choreographer and former artistic director of legendary Laterna Magika Theatre, Zdeněk Prokeš (1956). When meeting with the students, all of these survivors mentioned how lucky they were to have stayed with their mother, to have found love, to have survived, and this inspired us to name the performance „Luck“, emphasizing that not everyone had it.

The performance is produced with the support of the State Culture Fund of the Czech Republic, the Holocaust Victim Endowment Fund, Prague City Hall, Theater Na de Dam, National Gallery in Prague, Art re Use, Charles University – Department of Art Education. 

Road 19

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We Are Memory: Road 19 is a play directed by Tamara Pomoriški, Art Director of the Memory of Nations Theatre, which is produced annually in cooperation with Theater Na de Dam in the Netherlands. This year marks the fifth edition of the performance. Each edition has its own theme and unique environment. This year, it is the Romani Holocaust, which is interpreted through the artistic medium of dance and motion theatre.

The true stories of witnesses are told by 14 final-year students from the Prague Conservatoire, and their artistic medium is solely dance and the voice of the performer Ridina Ahmed. The artists decided to present the bitter subject of the Romani Holocaust in a gallery exhibition hall open to the public. Thus, the dancers themselves become exhibits, bidding viewers to give thought on their own perception of racism and the extent to which this issue is still current in society. The abstract sounds and environment do not distract the viewers’ attention, allowing them to consider whether they, too, might not be dividing society into “us” and “them”.

The script draws directly from the testimonies of historical witnesses. In previous years, young people welcomed the witnesses in Post Bellum’s offices. For this year, on 19 November the students headed outside of Prague for the first time. Their meetings were hosted by the Museum of Romani Culture in Brno and the Holocaust Memorial in Hodonín u Kunštátu. The students also explored the institutions’ exhibitions, which present this tragic aspect of our modern history. In Brno, the students met with Rudolf Murka (1959) and Antonín Lagryn (1947). Both of them are second-generation witnesses – their parents survived the concentration camps in Auschwitz and Ravensbrück. Mr Murka’s mother found asylum in Slovakia, which saved her from being deported. The memorial in Hodonín u Kunštátu commemorates the time when whole Romani families were interned there. Day-to-day operations of the camp were also observed by then-10-year-old František Němec (1932). Even 80 years later, he still has vivid memories of the humiliating arrival process, the inhuman work conditions, and the typhus epidemic that decimated the inhabitants of the camp, especially the children.